for clarinet, violoncello, and piano
Iridescent colour combinations of the atonal spectrum, up to the transition to the noisy, become the subject of a game in this demanding piece in which a dynamic tangle of relationships unfolds between the three deeply personal instrumental parts. The sound material of this lively debate is characterized by surprising gestures and sharp-edged structures. Johannes Boris Borowski, an outstanding voice in young contemporary music, explores the liberation of sounds from seemingly fixed contexts in the mode of ‘as if’.
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