Friedrich Kuhlau (1786 – 1832)

Duo g–moll op. 81/3

Uelzener Kuhlau–Edition 8

F. Kuhlau: Duo g-moll op. 81/3, 2Fl (2Sppa) (0)F. Kuhlau: Duo g-moll op. 81/3, 2Fl (2Sppa) (1)F. Kuhlau: Duo g-moll op. 81/3, 2Fl (2Sppa) (2)F. Kuhlau: Duo g-moll op. 81/3, 2Fl (2Sppa) (3)
för2 flöjter (duo)
Utgåva2 spelpartitur
Artikelnr.180639
Författare / kompositörFriedrich Kuhlau
Redaktör Richard Müller-Dombois
Omfattning12/12 sidor; 21 × 29,7 cm
Förlag / TillverkareSyrinx
Tillverkarens nr.SYRINX 116
ISMN9790501111169

Beskrivning

Friedrich Kuhlau’s three duos op. 81, written about 1826, were published like the three duos op. 80 for the first time in 1827 / 28 at the publishing house owned by the horn player Nikolaus Simrock in Bonn. A parallel edition was organized by the flutist, music historian and publisher Aristide Farrenc in Paris. Later adaptions for flute and violin as well as for flute and piano in the Parisian publishing house Richault testify the popularity of these Kuhlau compositions as well.

Since then several new prints of the flute duos followed for instance by Litolff (Braunschweig), Peters (Leipzig), Fischer (New York), International Music Company (New York), Cundy-Bettoney (Boston) and Ricordi (Milano). All these prints were published continously in part editions. The disadvantage of part editions without scores is obvious: neither the ensemble play is to be appropriately tuned and controlled, nor text discrepancies and text mistakes are to be definitively corrected, because beside the ear comparison the eye comparison, which is just important as this, is missing.

To rectify this bad condition, which comes to light especially at artistic events like ompetitions etc., the Uelzener Kuhlau-Edition publishes a score edition of the duo op. 81 No. 3 for the first time in each two copies per edition. Based on this innovation in the publishing history of the Kuhlau duos it is possible from now on to remedy the previous lacks and to lift these often as only amateurish seen unstrumentation up to the level of professional performance (Richard Müller-Dombois)

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