This piece is a reworking of certain themes that emerge from my recent experience with the opera Die Judith von Shimoda. This way, characters reappear from the fore mentioned, questioning themselves and rethinking themselves, as well as harmonic elements linked to the bonsho bells, the sho instrument or the harmonic and inharmonic spectrum harmonies that define some of the characters.

The figurative staging that this piece possesses brings into dialogue elements from our own musical culture, ...