One of the best-loved trumpet concertos today is actually a horn concerto: Neruda composed it in about 1750 at the Dresden Court, where he met the greatest horn virtuosos of the day. As a result, the solo part is immensely demanding and is kept in the upper clarino register throughout (up to g'''), which means that only a few horn players today can master it, even on the modern valve horn. But on the trumpet, however, these difficulties do not apply. This new edition by G. Henle Publishers is ba...