This edition is based on an early nineteenth century print, now kept at the Library of Congress in Washington DC that can be dated to circa 1824-25. A remark on the title page states that: "One could sing along with all the numbers, [thus] the intentions of Mozart have been preserved with exactitude. The guitar part is accessible to all amateurs." This marketing ploy was often used by publishers, appealing to an amateur market which consisted of guitarists with basic technical proficiency. Obvio...