This is the third in a series of pieces under the collective title Fredonnements. Whether there is any connection with the Hums of a famous bear I know not! We are given no indications of expression at the start of the score, only a metronome marking. However the music speaks for itself; on looking at the opening melody if can only be described as languid, having the most lovely shape and form. ln the first section guitars 2, 3 and 4 support and point this languid melody with block chords, but t...