The question "why does Drożdżowski translate Chopin from a piano to a guitar notation" - is an inappropriate question. You can put different answers in this place and each of them would be good, but for what? There is something extraordinary in Chopin's music that goes inside the average person, even when he does not expect it. And how does it get to the extraordinary? Well, we can see in the presented collection, which contains 10 pieces for two guitars

• Fugue
• Nocturne op.72/1
• Prelude op.28/4
• Prelude op.28/6
• Prelude op.28/13
• Prelude op.28/15
• Prelude op.28/19
• Prelude op.28/20
• Prelude op.28/21
• Waltz op.64/1