Grossman writes: I love fingerpicking blues in the key of C. Blind Blake, Big Bill Broonzy, Rev. Gary Davis, Mississippi John Hurt, Mance Lipscomb and Tommy McClennan all favored this key. All approached their playing fromdifferent angles and perspectives. Mississippi John Hurt had a happy sounding alternating bass style. Big Bill Broonzy combined a driving bass technique. Blind Blake's 'sportin' right hand' would stumble his bass alongside quicksingle string licks and his piano sounding guit...