Dvorák’s mighty Requiem was commissioned for Birmingham’s renowned music festival. Since its premiere there in 1891 under the composer’s direction, it has enjoyed huge popularity. Although based on the liturgical Latin text, it was conceived from the outset as a full-length work for concert performance. In inimitable style, Dvorák’s Requiem presents a vast emotional spectrum from religious devotion to moments of drama and agonized lamentation, all with a truly impressive depth of expression. The...

• Introitus: 1. Requiem aeternam op. 89,1
• Graduale: 2. Requiem aeternam op. 89,2
• Sequentia: 3. Dies irae op. 89,3
• Sequentia: 4. Tuba mirum op. 89,4
• Sequentia: 5. Quid sum miser op. 89,5
• Sequentia: 6. Recordare Jesu pie op. 89,6
• Sequentia: 7. Confutatis op. 89,7
• Sequentia: 8. Lacrimosa op. 89,8
• Offertorium: 9. Domine Jesu Christe op. 89,9
• Offertorium: 10. Hostias op. 89,10
• 11.Sanctus op. 89,11
• 12.Pie Jesu op. 89,12
• 13.Agnus Dei op. 89,13