The composer says: "The cadenzas I am offering in this book are the result of my experiments over the years to present the material in Mozart’s concertos through different musical prisms. At times, I would try to stay within the parameters of the style known in the era of Mozart, and at others I would use more exuberant techniques, reminiscent of Paganini. In some cases, I felt like engaging in a “conversation” with other instruments similar to a technique used in operas in those days. As far as...

• Concerto N° 1 (B-flat Major, KV 207)
• Concerto N° 2 (D major, KV 211)
• Concerto N° 3 (G Major, KV 216)
• Concerto N° 4 (D Major, KV 218)
• Concerto N° 5 (A Major, KV 219)
• Adagio (E major KV 261)
• Rondo (C major, KV 373)