Although the verbal text, vocal scoring and general musical style of a handful of the Sacred Hymnes suggest liturgical intention, the overwhelming majority of the 26 pieces in this volume are wholly representative of the wide range of secular styles which typify most Elizabethan and Jacobean madrigalian collections.

• A stranger here (Six-part)
• An Elegy in Memory of Master Thomas Hynson (Six-part)
• And they cry (Part 3 of O ye little flock) (Six-part and viols)
• At length to Christ (Part 2 of Saint Mary now) (Four-part)
• Away with weak complainings (Three-part)
• But he the God of love (Part 3 of Saint Mary now) (Four-part)
• Come let’’s rejoice (Four-part)
• Distressed soul (Three-part)
• Fear not (Part 2 of O ye little flock) (Six-part and viols)
• He that descended man to be (Five-part)
• ...